ForevaXena's FanFic . . .
The Xena Horror
Princess Show
by Alex Ringler
"The Rocky Horror Picture Show" and its characters are trademarks of 20th Century Fox. No copyright infringement was intended. "Xena: Warrior Princess" and its characters are trademarks of StudiosUSA/Renaissance Pictures. No copyright infringement was intended with this story.
This is an original work by Alex Ringler (callistoxe@aol.com) that is based upon Xena: Warrior Princess and The Rocky Horror Picture Show. It is the sole copyright of Alex Ringler. HTML translation and editing by khedron@graffiti.net. Feel free to distribute, but please contact the author upon publication.
Song List
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We open on a dark surface with only a pair of red lips visible. |
|
"ANCIENT FICTION - CROSSOVER FEATURE" |
|
| VOICE OVER |
Aphrodite was ill Then something went wrong Ancient fiction - crossover feature I knew Hercules But Xena knew Herc Ancient fiction - crossover feature |
|
Church bells ring as the picture turns from black into the wedding hut in Poteidaia, GABBY's hometown. A couple, EPHINY, a former amazon (now in chains), and JETT, a black clad assassin, emerges newly married from the hut with many guests throwing rice. Pictures are taken. GABBY, a normal looking girl in a green top and pink skirt (staff in hand) and EPHINY talk while JOX, a quirky looking, skinny warrior, and JETT, brothers, have words. |
|
| JETT | Well, I guess I really did it, huh! |
| JOX | I don't think there's any doubt about that - you and Ephiny have been almost inseparable since you attacked and nearly killed all of the amazons of Gabby's tribe and then forced Ephiny to marry you. |
| JETT | Tell you the truth, Jox, she was the only reason I destroyed all of the amazons in the first place. Ha-ha. I mean . . . |
| GABBY and EPHINY glare at JETT in disgust. JETT waves and smiles. | |
| EPHINY | All right everyone this is it. You ready? |
| EPHINY throws the bouquet and GABBY strikes the other women with her staff until she catches it. | |
| GABBY | I got it! I got it! |
| JETT | (To JOX) Hey, big fella, looks like it could be your turn next, hey? |
| JOX | Who knows? |
| JETT | Well, so long. See ya' bro. |
| JETT and EPHINY get into a chariot with "He got his now she'll get hers" written on the side. They ride away and all except GABBY and JOX run after the chariot. GABBY and JOX are left standing in the front of the wedding hut with an odd FAMILY of three women, who run the church. | |
| GABBY | Oh Jox, wasn't it awful? Didn't Ephiny look thoroughly disgusted? I can't believe it. A day ago she was a strong amazon queen, and now, now she's the wife of an assassin. |
| GABBY and JOX begin to walk into a grave yard with a banner reading "Poteidaia: The Home of Happiness" hanging over the tombstones. | |
| JOX | Yes Gabby, Jett's one lucky guy. |
| GABBY | Yes. |
| JOX | Everyone knows that Ephiny's a wonderful little fighter. |
| GABBY | Yes. |
| JOX | Why, she'll have another tribe up and going in a year or two. |
| GABBY | Yes. |
"DAMN ME, GABBY" |
|
| Spoken | |
| JOX | Hey Gabby. |
| GABBY | Yes Jox. |
| JOX | I've got something to say. |
| GABBY | Uh huh. |
| JOX |
I really loved the skillful way |
| GABBY | Oh, Jox. |
| Sung | |
| JOX | When the river was deep, you grabbed me |
| FAMILY | Gabby. |
| JOX | It took only that to land me. |
| FAMILY | Gabby. |
| JOX | I looked in your eyes and you had me. |
| FAMILY | Gabby. |
| JOX |
I've one thing to say and that's When the day was hot, you fanned me. |
| FAMILY | Gabby. |
| JOX | I'd drink the water you'd hand me. |
| FAMILY | Gabby. |
| JOX | You only threw the cup twice at me. |
| FAMILY | Gabby. |
| JOX |
Drawing a heart on the wedding hut door I've one thing to say and that's Takes a wedding ring box out of his pocket Here's the ring to prove that I'm no joker. |
| GABBY grabs the ring and runs into the wedding hut where the FAMILY is preparing for a funeral. | |
| GABBY |
looking at the ring Oh, I knew the minute you took out the box. |
| FAMILY | Oh, Jox. |
| GABBY | That I could withstand the smell of your socks. |
| FAMILY | Oh, Jox. |
| GABBY | And live with your hair in its nasty locks. |
| FAMILY | Oh, Jox. |
| GABBY | I've one thing to say and that's Jox, you're no fox But I love you too. |
| JOX and GABBY hold hands and walk down the aisle. | |
| Oh, Jox. | |
| JOX | Oh, damn me. |
| GABBY | You're no fox. |
| JOX | Oh, Gabby. |
| GABBY | But I love you. |
| JOX | I love you too-oo-oo. |
| BOTH | There's one thing left to do-ah-oo. |
| JOX | And that's go see the man who can land me - |
| FAMILY | Gabby. |
| JOX | On a good and happy path for both you and me. |
| FAMILY | Gabby. |
| JOX | So we can start our own happy family |
| FAMILY | Gabby. |
| JOX |
I've got one thing to say and that's |
| JOX and GABBY hug and begin to waltz. | |
| Damn me, Gabby. | |
| GABBY | Oh Jox, you're no fox. |
| JOX | Damn me, Gabby. |
| BOTH | I love you. |
| JOX and GABBY kneel and kiss. | |
| The scene changes to the Kingdom of Chin. LAO MA is studying pictures of the wedding and the guests. She turns in her chair to speak to us. | |
| LAO MA | I would like, if I may, to take you on a strange journey. |
| LAO MA stands and goes to her bookshelf and retrieves one of her many books. This book's cover reads "The Poteidaia Affair." She flips through it show pictures of the wedding scene we have just seen. | |
|
It seemed a fairly ordinary night when Joxer and his fiancee Gabrielle (two ordinary, healthy kids) left Poteidaia that late autumn evening to visit Hercules: ex-hero and now supposed friend of both of them. It's true there were dark storm clouds, heavy, black and pendulous toward which they were riding. It's true also that the carriage they were in was badly in need of a new front left wheel. But they being normal kids and on a night out, well they were not going to let a storm spoil the events of their evening. On a night out. It was a night out they were going to remember for a very long time. |
|
| Lightning strikes and thunder claps as the scene changes to the forest at night time. It is raining and the carriage they are riding in is moving at a steady pace toward their destination. GABBY is reading one of her scrolls. JOX is sitting and twiddling his thumbs. | |
| A horse and horseman (clad in black) ride past their carriage going the opposite way. | |
| GABBY | Gosh. That's the third horseman that's passed us. They certainly do take their lives in their own hands what with the weather and all. |
| JOX | Yes, Gabby life's pretty cheap to that type. |
| The carriage slows to a stop. | |
| GABBY | What's the matter Jox, darling? |
| JOX sticks his head out the window. He sees a sign that says, "BRIDGE OUT." | |
| JOX | We must have taken a wrong turn a few miles back. |
| GABBY | Oh. Then where did all those horsemen come from? |
| JOX | Hm. Well, I guess we'll just have to turn around and head back. |
| JOX gives the driver a signal to around. The carriage begins to turn around. Just as they get turned around the front left wheel brakes! JOX and GABBY fall on each other to one side of the carriage. | |
| GABBY |
To JOX Ah! Get off me! Uh, I mean what was that?! |
| JOX | The wheel must have broken. Damn it! I knew we should have brought along an extra. Well you just stay here and keep warm and I'll go for help. |
| GABBY | Where will you go? We're in the middle of nowhere. |
| JOX | Didn't we pass a castle a few miles back? Maybe they have an extra wheel I could use. |
| JOX begins to get out. | |
| GABBY | I'm coming with you |
| JOX | Oh no darling. There's no sense in both of us getting wet. |
| GABBY | I'm coming with you. Besides, darling, the owner of the wheel might be a beautiful goddess and you may never come back again. |
| JOX laughs as they both get out of the carriage. JOX gives the driver instructions to stay with the carriage until they get back. The driver gets in the broken carriage to avoid the rain. GABBY puts the scroll over her head and JOX kicks the broken wheel once as they begin to walk away. As they walk the come upon the front gate of the castle which bears a sign reading "ENTER AT YOUR OWN RISK." They enter anyway, and walk toward the castle. | |
"OVER AT THE WARRIOR PLACE" |
|
| GABBY |
In the velvet darkness |
| BOTH | There's a light. |
| VOICES | Over at the Warrior place. |
| BOTH | There's a light. |
| VOICES | Burning in the fireplace. |
| BOTH |
There's a light, a light |
| A figure in the one of the towers begins to sing out to us. | |
| CALL-ISTO |
The darkness must go down Lightning strikes. Out of my life. |
| BOTH | There's a light. |
| VOICES | Over at the Warrior place. |
| BOTH | There's a light. |
| VOICES |
Burning in the fireplace. |
| BOTH | In the dungeon of everybody's life. |
| The scene changes back to LAO MA's study in the Kingdom of Chin where she is still flipping through "The Poteidaia Affair." | |
| LAO MA | And so, it seemed that fortune had smiled on Jox and Gabby and that they had found the assistance that their carriage required - or had they? |
| Thunder claps as the scene changes to the front door of the castle where JOX and GABBY stand shivering. | |
| GABBY | Oh, Jox. Let's go back. I'm cold and I'm frightened. |
| JOX | Just a moment Gabby, they may have a spare wheel. |
| The door slowly opens and we see a figure standing there. It is a skinny, blonde woman with a hunch back wearing a beat up butlers' uniform (no shirt, just vest). Her face is gaunt and sickly looking. | |
| CALL-ISTO | Hello. |
| A little frightened, they speak to the woman. | |
| JOX |
offering his hand Hi. My name is Joxer puts his hand away as it is not being shaken and this is my fiancee Gabrielle. I wondered if you might help us. You see, our carriage broke down about a few miles up the road. Do you have a spare wheel we could use? |
| CALL-ISTO |
Looking at them You're wet. |
| GABBY | Yes. It's raining. |
| JOX | Yes. |
| CALL-ISTO |
A little annoyed Yes. |
| Lightning illuminates where all the horses have been tied down. The horses yinny. | |
| CALL-ISTO | I think perhaps you'd better both come inside. |
| GABBY |
Smiling You're too kind. |
| JOX and GABBY are ushered into a large room with a staircase to the right and an elevator to the front of them. They can hear music playing from another room. | |
| GABBY | Oh, Jox I'm frightened! What kind of a place is this? |
| JOX | It's probably some sort of hunting lodge weirdo kings and queens. |
| CALL-ISTO slams the door and JOX and GABBY jump. | |
| CALL-ISTO |
leading them This way. |
| GABBY |
following Are you having a festival? |
| CALL-ISTO |
mustering up a smile You've arrived on a rather special night. It's one of the Mistress' affairs. |
| GABBY | Oh. Lucky her. |
| A woman wearing a revealing maid's uniform suddenly emerges from the shadows on the banister. She is a tall woman with a lot of eye makeup and long dark hair. | |
| ALTIENTA |
in a scratchy voice You're lucky. She's lucky. I'm lucky. We're all lucky! Ha-ha-ha. |
| ALTIENTA slides down the banister and throws her feather duster to CALL-ISTO. | |
"THE PLOT TWIST" |
|
| CALL-ISTO |
It's anachronistic. |
| ALTIENTA | Not for very much longer. |
|
CALL-ISTO |
I've got to take control. |
| CALL-ISTO and ALTIENTA |
And the void would be calling. |
| JOX and GABBY are pushed through two doors where they see a party going on. | |
| TOWN'S PEOPLE |
dancing Let's do the Plot Twist again.Let's do the Plot Twist again. |
| LAO MA |
from her room in Chin holding a map It's just a jump to Ancient Greece. |
| TOWN'S PEOPLE | And then a step into Ancient Ro-o-ome. |
| LAO MA | Dip your hands into India. |
| TOWN'S PEOPLE |
And then you jump back home. |
| JOX faints into GABBY's arms. | |
| Let's do the Plot Twist again. | |
| ALTIENTA |
It's so dreamy. |
| CALL-ISTO | With a bit of a mind flip |
| ALTIENTA | You're into the time shift |
| CALL-ISTO | And nothing will make sense again. |
| ALTIENTA | You're spaced out on sensation |
| CALL-ISTO | Cause there's no contemplation! |
| JOX faints again. | |
|
TOWN'S PEOPLE |
Let's do the Plot Twist again. Let's do the Plot Twist again. |
| We now see M'LILIA sitting on a 1950's style jukebox dressed in a sparkly outfit. | |
| M'LILIA |
Well I was stowing on a boat |
| TOWN'S PEOPLE |
dancing Let's do the Plot Twist again.Let's do the Plot Twist again. |
| M'LILIA squeals as she starts tap dancing while everyone watches. She dances until she falls down on the steps of the stage. Now everyone dances. | |
| TOWN'S PEOPLE |
dancing Let's do the Plot Twist again.Let's do the Plot Twist again. |
| LAO MA |
on top of her desk It's just a jump to Ancient Greece. |
| TOWN'S PEOPLE | And then a step into Ancient Ro-o-o-ome. |
| LAO MA | Dip your hands into India. |
| TOWN'S PEOPLE | And then you jump back home. But it's the Asian thrust That really drives you insane. Let's do the Plot Twist again. Let's do the Plot Twist again. |
| As the music dies down, they all fall to the floor from exhaustion from dancing so much. | |
| GABBY |
while nudging JOX Say something. |
| JOX | Say, do any of you guys know the queen's waltz? |
| GABBY smacks JOX upside the head. The TOWN'S PEOPLE ignore JOX as they are watching the elevator slowly move down. | |
| GABBY |
backing out of the room Jox, please let's get out of here. |
| JOX |
following her For gods' sakes keep a grip on yourself, Gabby. |
| GABBY | But, it seems rather dangerous here. |
| JOX | It's just a party, Gabby. |
| GABBY |
very determined Well, I want to go! |
| JOX | Well, we can't go anywhere until I get another wheel. |
| GABBY | Well, then ask that blonde lady, or someone. |
| JOX | Just a moment, Gabby. We don't want to interfere with their celebration. |
| GABBY | This isn't The Junior Amazons of Greece, Jox. |
| JOX | They're probably foreigners, with ways different than our own. They may do some more "travel" dancing. |
| GABBY | Look, I'm cold, I'm wet, and I'm just plain sick of this episode! |
| JOX | I'm here. |
| GABBY | That's what I'm worried about. |
| The elevator stops at the bottom with a jerk. Both JOX and GABBY, turn around and see XENA decked out in a velvet cape wearing white face makeup and heavy eye shadow. GABBY screams and faints. | |
"SWEET WARRIOR PRINCESS" |
|
| XENA |
How do you do. Walking toward the stage |
| XENA (now on the stage) throws off her cloak to reveal a leather corset with armor and a leather g-string, with a garter belt (complete with chakram attachment), fishnets, and long high-heeled boots. | |
|
I'm just a sweet Warrior Princess To JOX and GABBY Let me throw you around |
|
| JOX |
spoken We're not here for a meal. |
| GABBY |
spoken Right! |
| JOX |
spoken We'll just take the spare |
| XENA |
So your carriage broke down By the light of the night |
| M'LILIA joins her, dancing | |
|
I'm just a sweet Warrior Princess |
|
| XENA sits down on her thrown on stage and is joined by CALL-ISTO, ALTIENA and M'LILIA who stand around her. | |
|
Why don't you, stay for the night, I'm just a sweet Warrior Princess |
|
| TOWN'S PEOPLE | Sweet Warrior Princess. |
| XENA | From Amphipolis, |
| XENA and TOWN'S PEOPLE |
Back in Ancient Greece. |
| XENA |
So, come on up stairs But maybe your wheel Looking at GABBY Of your situation. |
| JOX looks at GABBY and scratches his head. The guests all head upstairs while ALTIENTA and CALL-ISTO begin to undress JOX and GABBY. | |
| GABBY |
with shock Oh! Oh, no! slapping him Jox! |
| JOX |
It's all right Gabby. We'll play along now, and pull out the weapons when the time's right. |
| ALTIENTA proceeds with taking of JOX's clothes down to his boxers with hearts on them. CALL-ISTO just stares at GABBY with a confused look on her face, not knowing what to take off. | |
| GABBY |
to CALL-ISTO Could I be wearing any less? |
| CALL-ISTO | Actually, yes! |
| CALL-ISTO takes out the Season Five leather outfit (basically a red leather bra and a short pair of red/orange coulots, and a pair of red boots with sais in them) | |
| CALL-ISTO | Why don't you try this "crowd pleaser" on? |
| GABBY | What are you gonna cut all of my hair off too? |
| ALTIENTA |
smiling All right. |
| ALTIENTA takes out a knife and cut all of her hair off, into the short style. | |
| CALL-ISTO |
grabbing GABBY's staff I'll take that! |
| GABBY | Uh! |
| Once GABBY has changed, ALTIENTA, CALL-ISTO, JOX, GABBY and M'LILIA proceed to pile into the elevator. The elevator is switched on and they begin to go up. | |
| GABBY |
to CALL-ISTO Is she, Xena I mean, is she your girlfriend? |
| M'LILIA giggles. | |
| CALL-ISTO | The mistress and I could never be lovers. We have a shady history. |
| GABBY | Oh. Good. |
| They all stare at GABBY. | |
| What? | |
| The elevator comes to a stop in a purple laboratory. CALL-ISTO opens the door and GABBY steps out followed by JOX. A ramp goes up from either side of the room and on the top platform all of the TOWN'S PEOPLE. On the wall is a monitor, with a bunch of levers and switches around it. Next to that is a huge freezer. ALIENTA stands behind GABBY and M'LILIA stands behind JOX while CALL-ISTO goes to prepare things. XENA stands in front of them wearing a green lab coat and holding leather gloves. Behind her is something covered with a purple sheet. | |
| XENA | Altienta. |
| ALTIENTA steps out. | |
| M'lilia. | |
| M'LILIA steps out. | |
| Go and assist
Call-Isto. I will entertain . .
. um . . . she chuckles and reaches out for JOX's hand |
|
| JOX |
shaking her hand Joxer, and this is my fiancée Grab-my-ball. |
| GABBY |
hitting him Gabrielle! |
| JOX | Gabrielle. |
| XENA |
kissing GABBY's hand Glede ma glede. |
| GABBY giggles. | |
| Well. How nice. And what charming under . . . and outer-clothes you both have - | |
| TOWN'S PEOPLE giggle. | |
| But here
she hands them two bearskin robes put these on. They'll make you feel more, um, normal. It's not often we receive visitors here, let alone offer them rare goods. |
|
| JOX | Rare goods? All we wanted to do was use a spare wheel, gods dammit. A reasonable request, which you've chosen to ignore. |
| GABBY | Oh, Jox, don't be ungrateful. |
| JOX | Ungrateful?! |
| XENA | How forceful you are Jox. Such a perfect specimen of ape-hood, uh, manhood. So dominant. |
| TOWN'S PEOPLE grin and stare at JOX. | |
| You must be awfully proud of him, Gabby. | |
| GABBY | Well, to tell you the truth not . . . |
| XENA |
laughing Do you have any battle scars, Jox? |
| JOX | Certainly not, uh I mean, yeah hundreds! |
| XENA |
Oh, well. to GABBY How 'bout you? |
| GABBY giggles. | |
| CALL-ISTO |
interrupting Everything is in readiness, Mistress. We merely await your words. |
| XENA walks a small stage with curtains closed in the background. She is joined by ALTIENTA and MILILIA now wearing aprons and surgical masks. She addresses all of her guests. | |
| XENA | Tonight, my town-less, town's people . . . |
| TOWN'S PEOPLE chuckle amongst themselves. | |
| you are to witness a breakthrough in genetic engineering research. And perfection is to be mine! | |
| All except JOX and GABBY applaud. | |
| It was strange the way it happened. Then suddenly, you get a break. | |
| XENA snaps her gloves. | |
| All the weapons seem to fit into place. What a
sucker you've been.
looking at JOX What a fool. The answer was there all the time. It took a small accident to make it happen. An accident! |
|
| ALTIENTA and M'LILIA |
softly An accident. |
| XENA | And that's when I discovered the secret. That elusive ingredient, that spark that is the breath, of the fight. Yes, I have that knowledge. I hold the secret - to the fight - itself! |
| TOWN'S PEOPLE and GABBY applaud. | |
| You see, Jox and Gabby, you are fortunate. For tonight is the night - | |
| XENA snaps her leather gloves as she puts them on. | |
| that my wonderful fighter is destined to be born! | |
| Everyone applauds as the sheet is lifted to reveal a tank full of water with a figure inside wrapped up in bandages from head to toe, and floating in the middle of the tank. XENA stands behind the tank with ALTIENTA and M'LILIA. CALL-ISTO stands by the switches on the wall. | |
|
to CALL-ISTO Throw open the switches on the sonic ocelator. |
|
| CALL-ISTO takes out a sword and cuts the switches open with a yell. | |
| Not exactly what I meant, but . . . Now step up the reactor testosterone input ten more points! | |
| CALL-ISTO | Ten?! All right. |
| CALL-ISTO does as XENA told her. | |
| All of the guests watch in astonishment as CALL-ISTO lowers a chandelier toward the tank. When it stops, just above XENA she begins to turn the knobs that hang from the chandelier. As she turns them, different types of animal blood come out and filter into the tank. When all the blood is in, CALL-ISTO pushes a button, that evaporates the blood drenched water. The figure within the tank raises his arms and eventually stands up. JOX and GABBY are amazed. All of the TOWN'S PEOPLE applaud. CALL-ISTO removes the gauze mask from the figure's face. | |
| XENA | Oh, Iolaus! |
| IOLAUS stands and ALTIENTA and CALL-ISTO take off the rest of the bandages. Now clad only in a gold loin-cloth, IOLAUS grunts and runs around the room. He runs up to the top platform where he starts beating up all of the TOWN'S PEOPLE! XENA chases after him until he returns to his tank and sits on the edge. | |
| Oh really! Now that's no way to behave on your first day out of ancient times! | |
| IOLAUS pouts on the side of the tank. XENA looks around and sees all of the TOWN'S PEOPLE lying on the floor in agony. | |
|
reconsidering But, seeing as you're such an exceptional fighter, I'm prepared to forgive you. |
|
| CALL-ISTO and ALTIENTA stand behind the tank with XENA. M'LILIA leans on the side of the tank. | |
| Oh, I just love success! | |
| CALL-ISTO | He's a credit to your genius, Mistress. |
| ALTIENTA | A triumph of your skills. |
| XENA | Yes! |
| M'LILIA | Eh, I could kick his ass. |
| XENA |
angry Kick his ass? KICK HIS ASS?! I doubt you could do better than he! to IOLAUS C'mon. |
| IOLAUS takes XENA's hand and she takes him over to JOX and GABBY. | |
|
with pride Now, Jox and Gabby, what do you think of him? |
|
| GABBY | Well, I don't like men . . . |
| JOX looks at GABBY with a questioning look. | |
| Er . . . um . . . with blonde hair. | |
| XENA | Well, at any rate, he carries Atlas' seal of approval. |
| TOWN'S PEOPLE applaud as XENA takes IOLAUS to a stand covered in a purple sheet. She removes the sheet to reveal a stand full of weapons. | |
"TRAVELING COMPANION SONG" |
|
| XENA | A villager Plowing his fields all day, Will get sand in his face When warriors kick him away. And soon on the plains Will make him sweat hands him a sword And shine. (laughs) He'll be blonde, Oh honey - |
| ALL (except JOX and GABBY) |
But the wrong man. |
| XENA |
bringing out a horse He'll eat nutritious high carbo |
| IOLAUS mounts the horse. | |
| Try to build up his shoulders, His chest arms and legs. Such a struggle, |
|
| ALL (except JOX and GABBY) |
I can make you a side ki-hi-hi-hick. |
| IOLAUS jumps off of the horse and begins play fighting with a sword. | |
| XENA | He'll do front kicks, and back kicks, Do the dagger, sword and staff. He thinks fighting a Harpe, jumps on the horse Must be a hard task. |
| XENA goes to IOLAUS. | |
| When in just three seasons - Oh baby . . . I can make you swinging IOLAUS toward the freezer A side ki-hi-hi-hick. |
|
| The freezer begins to open. | |
| What? Who? | |
| XENA and IOLAUS get out of the way as the draw-bridge type door slams to the ground. ARES gallops through a wall of ice on a tall black horse. | |
| CALL-ISTO | Ares! |
"WHAT EVER HAPPENED TO HAVING A FIGHT" |
|
| ARES | What ever happened to having a fight When your sword was sharp And you felt all right It don't seem the same since "good" and "right" looks at XENA Came into her life |
| CALL-ISTO watches excitedly. | |
| She didn't want to be with me no more I thought that she would always be my evil whore. Looks at CALL-ISTO But then I found a blonde |
|
| CALL-ISTO jumps on ARES and they begin to romp around on the floor. | |
| Took your bodies Changed your souls I really loved that Call-Isto. |
|
| ARES and TOWN'S PEOPLE |
Took your bodies Changed your souls I really loved that Call-Isto. |
| TOWN'S PEOPLE begin to dance around. XENA watches in disgust. JOX and GABBY watch in amazement of the spectacle before them. | |
| ARES | My head used to swim From the leather I smelled. My hands kinda fumbled with her Black chakram hilt. I'd taste the sweat upon her neck |
| CALL-ISTO throws her arms around ARES and smiles. | |
| But it wasn't Xena; it was Call-Isto But a body's a body No matter the soul. With my arms around that girl |
|
|
Everyone (excluding JOX and GABBY) dance around with each other. |
|
| Took your bodies Changed your souls. I really loved that Call-Isto. |
|
| ALL (except JOX and GABBY) |
Took your bodies Changed your souls. I really loved that Call-Isto. |
| The chorus is repeated as ARES and CALL-ISTO dance around. ARES then jumps on his horse and gallops around the lab. XENA proceeds to shove IOLAUS into the elevator and grabs the Hind's blood dagger from the freezer. M'LILIA and ALTIENTA stand by the freezer waiting for what is to come. | |
| Took your bodies Changed your souls. I really loved that Call-Isto. |
|
| ARES dismounts and puts CALL-ISTO on the horse. XENA sneaks up on ARES. ARES, seeing the dagger, screams and runs into the freezer where XENA proceeds to stab him repeatedly until he dies. CALL-ISTO screams in horror. The TOWN'S PEOPLE and JOX and GABBY watch frightened. XENA exits the freezer and drops the dagger. | |
| XENA |
addressing her guests One from Mt. Olympus. |
| The TOWN'S PEOPLE laugh nervously. | |
|
looking at her gloves Gods damn it! I just had these dry-cleaned! |
|
| ALTIENTA takes off XENA's blood soaked leather gloves. IOLAUS pounds on the elevator bars, wanting to get out. XENA opens the door and stands in there with him. | |
|
to IOLAUS Oh don't be upset. It was a godly killing! He had a few minimal powers, but too many clothes. |
|
| IOLAUS flexes his bicep at XENA. | |
|
But a mortal Makes me - ALALALALA!- |
|
| XENA and TOWN'S PEOPLE |
In just three seasons I can make you a side ki-hi-hi-hick. |
| XENA | I don't want a big softie Or one who'll try to looks at CALL-ISTO Off me. |
| GABBY |
breaking in That's what makes me ti-ick! |
| Everyone looks at GABBY with surprise and disgust. GABBY looks ashamed. | |
| XENA and TOWN'S PEOPLE |
In just three seasons Oh, baby, I can make you a side ki-hi-hi-hick. |
| XENA | Give you a big fighting sti-ick. |
| XENA and TOWN'S PEOPLE |
In just three seasons I can make you a side kick. |
| Curtains part revealing a room that looks like a forest at night with a fire in the middle and one big bear skin blanket. XENA leads IOLAUS into the "bridal chamber" as guests throw confetti. The curtain closes and XENA jumps on IOLAUS. | |
| LAO MA |
in Chin There are those who say that fighting is an illusion and that brutality is simply a figment of the imagination. If this is so, then Jox and Gabby are quite safe. However, the sudden departure of their hostess, and her "weapon" (to the seclusion by her somber camp fire) had left them feeling both scared and . . . scared. A feeling which grew as the other villagers departed, and they were shown to their separate rooms. |
| M'LILIA throws JOX into his room, illuminated with a blue light. CALL-ISTO and ALTIENTA watch as JOX stumbles around his room and onto his covered bed. M'LILIA then throws GABBY into her room complete with hot tub. | |
| GABBY |
looking at the hot tub Eh, might as well. |
|
GABBY begins to undress. Meanwhile, someone knocks on JOX's door. |
|
| JOX | Who is it? Who's there? |
| GABBY | It's only me, Jox. |
| JOX | Oh, Gabby, come in! Please! |
|
GABBY runs in and climbs on top of JOX. |
|
| JOX | Oh yes! OH GABBY! Oh, but what if . . . |
| GABBY | It's all right, Jox. Everything is going to be all right. |
| JOX | Okay by me! |
| JOX begins to run his hands through GABBY's hair. To his surprise her hair comes off and he then notices that GABBY is really XENA! | |
| JOX | YOU! |
| XENA | I'm afraid so Jox, but isn't it nice? |
| JOX | Well, yeah. Actually it is! |
| XENA | Umm . . . |
| JOX |
beginning to buck a little C'mon Xena. Hurt me! |
| XENA gets up and takes out some rope. | |
| XENA |
tying JOX up Oh, I'll hurt you. |
| XENA continues to tie JOX's wrists and ankles to the bedposts. Once she is done, she stands over him. | |
| JOX | Now what are you going to do? |
| XENA leans in close to him. | |
| XENA |
whispering Nothing! |
| XENA chuckles and walks out. | |
| JOX | Um, Xena? Where are you going? Okay, I get it. Ha ha. Now come back! Xena . . . Xena? |
| Meanwhile, back in the lab, ALTIENTA and CALL-ISTO are cleaning up. CALL-ISTO enters XENA's "lair" where IOLAUS is sleeping comfortably, though chained to a rock. CALL-ISTO picks up XENA's sword and slowly creeps up on IOLAUS. | |
| CALL-ISTO |
holding the sword over IOLAUS RRRRRAAAAAAAHHHHHHHHRRRRRRR! |
| IOLAUS wakes up and begins to fight with CALL-ISTO. They exchange hits and CALL-ISTO cuts him up a little. IOLAUS breaks free from his chain and runs away, shimmying down the elevator shaft. CALL-ISTO and ALTIENTA celebrate their "victory" with some elbow sex and a neck kiss. | |
| Someone enters GABBY's room. | |
| JOX |
jumping into the hot tub Oh, Gabby, darling, there's no good here. She'll destroy us! |
| GABBY | Don't worry, Jox, we'll be away from here in the morning. |
| JOX |
hugging GABBY Oh, Gabby, you're so butch and protective. |
| GABBY caresses JOX's head, but to her surprise, his hair comes off and she realizes JOX is really XENA! | |
| GABBY | You? |
| XENA | I'm afraid so, Gabby, but . . . |
| GABBY | Thank the gods it's you! I almost thought that Jox was gonna try something. |
| XENA | But I thought you and Jox were . . . |
| GABBY | Yeah, yeah, yeah. Listen could you get this spot on my back? I can't quite reach it. |
| XENA |
beginning to scrub her back I was right. You two were pretty easy. |
| GABBY | Two? |
| XENA | Never mind. |
| GABBY | Ooh. That feels good. |
| XENA |
scrubbing lower Yes, it isn't all bad is it? |
| GABBY | Not even half bad. I really find it quite pleasurable. But what about Jox? |
| XENA | Jox is probably asleep by now. Do you really want him to see you like this? |
| GABBY | Maybe that could get him off my back for a little. |
| XENA | If you hate Jox so much, then why did you agree to marry him. |
| GABBY | Well, I do love him . . . wait, no I don't . .
. wait . . .
confused I have to go! |
| GABBY jumps out of the tub, and runs out of the room putting her clothes on. | |
| XENA | Me and my big mouth. |
| CALL-ISTO pops up on GABBY's television monitor. | |
| CALL-ISTO | Mistress, Iolaus has broken his chains and vanished. The new weapon is loose and somewhere in the castle grounds. Altienta has just released the army. |
| XENA |
upset Coming! |
| Outside, IOLAUS is being chased by four warriors. Meanwhile GABBY is wondering through the castle. | |
| GABBY | What's happening here? Where's Jox? Where's anybody? |
| IOLAUS makes his way back to the castle. | |
| Oh, Jox. I can't believe I did this. I love you. But I'm sure I like Xena too. Oh, I'm not sure of anything anymore. | |
| GABBY gets into the elevator and goes up to the laboratory. | |
|
stepping out of the elevator Oh, if only we hadn't made this journey. If only the carriage hadn't broken a wheel. Oh, if only we were amongst friends, or people who didn't turn me on so much. Oh, Jox. What have they done with him? |
|
| GABBY goes to the monitor. She turns it on and sees XENA untying JOX from his bed. | |
| Oh, Jox. Oh, XENA! How could you? | |
| GABBY sobs by the monitor. She hears crying from within the tank. She walks over and pulls a sheet off of IOLAUS who stands up from within the tank. He is battered and bruised from the fight with CALL-ISTO and the army. | |
| Oh, but you're hurt. Did they do this to you? | |
| IOLAUS nods. | |
|
ripping her skort for bandages Here, I'll dress your wounds. Baby there, oh. |
|
| IOLAUS puts his hand on GABBY's and smiles at her. She looks around, then smiles. | |
| LAO MA |
in Chin Bisexuality: Dichotomy of the genitals. Vehement or excited sexual state. It is also a powerful, yet rational, master. And from what Altienta and M'Lilia viewed on their television monitor, there seemed little doubt, that Gabby was, indeed, its slave. |
| ALTIENTA and M'LILIA |
Tell us about it, Gabby! |
"I NEED I NEED A REAL MAN" |
|
| GABBY | When I first saw her, I was sure I'd only want women from this point on. |
| M'LILIA | You mean she's a . . . |
| ALTIENTA | Uh-huh. |
| GABBY | I thought there's no use needing Any heavy breeding It only leads to diapers And breast feeding. To IOLAUS Now all I want to see |
| ALTIENTA and M'LILIA |
Fun, fun, fun. |
| GABBY | And as we fool around I'm sure that we won't frown I've got an urge tonight. Why don't we go down? I need, I need, I need a real man Then after we are done |
| ALTIENTA and M'LILIA |
Fast, fast, fast. |
| GABBY | I want to feel me near you And take you where I want to I want to hold you tight. I want to have you. |
| IOLAUS begins to fondle GABBY. | |
| I need, I need, I need a real man Not just a butch woman. So treat me like a barbarian. Creature of the fight. |
|
| M'LILIA | I need, I need, I need a real man |
| ALTIENTA | Not just a butch woman. |
| M'LILIA | So treat me like a barbarian, |
| ALTIENTA | Creature of the fight. |
| IOLAUS and GABBY really start going at it in the tank. | |
| GABBY | I need, I need, I need a real man Not skinny dorks or butch women. So treat me like a barbarian, Creature of the fight. |
| GABBY begins to picture everyone in the tank with her, one by one. | |
| IOLAUS | Creature of the fight. |
| JOX | Creature of the fight? |
| XENA | Creature of the fight. |
| ALTIENTA | Creature of the fight. |
| CALL-ISTO | Creature of the fight. |
| M'LILIA | Creature of the fight. |
| IOLAUS | Creature of the fight. |
| GABBY | Creature of the fight! Oh! |
| GABBY draws the sheet over
herself and IOLAUS.
Meanwhile, XENA, CALL-ISTO and JOX are going up the elevator. XENA is beating CALL-ISTO with her whip as they go up. JOX watches, astounded. |
|
| CALL-ISTO |
running out of the elevator MERCY! |
| XENA whips CALL-ISTO once. | |
| XENA | How did it happen? I understood you were to be watching! |
| XENA whips CALL-ISTO again. | |
| CALL-ISTO | I was only away for minute, Mistress. |
| XENA | Well, see if you can find him . . . On the
whips CALL-ISTO a third time MONITOR! |
| XENA whips CALL-ISTO again. Meanwhile, the elevator has gone down and is now back. MINYA steps out of the elevator. | |
| MINYA |
taking the whip from XENA How do you keep getting this? Either give me back my frying pan, or leave me and my whip alone! |
| MINYA leaves and everyone looks at each other in confusion. After a little while, CALL-ISTO walks over to the monitor and sees something at the front door. | |
| CALL-ISTO | Mistress. Mistress! We have a visitor. |
| XENA, CALL-ISTO, and JOX all stare at a figure in a wheel-chair on the monitor. | |
| JOX | Hey, Herc!
They look at him strangely That's Hercules! |
| CALL-ISTO | You know this warrior . . .
XENA draws her sword . . . this person? |
| JOX | I certainly do.
Obviously lying Actually, we used to be old traveling buddies. Ya know, righting wrongs, helping for the greater good. |
| XENA | I see. So this wasn't simply, a chance meeting. You came here, with a purpose. |
| JOX | I told you, my carriage broke down! I was telling the truth. |
| XENA |
pushing JOX away with her sword I know very well what you told me, Jox. But this "Hercules." He is not unknown to me. |
| JOX | He was a traveling hero, until his legs gave out. |
| XENA | And now he's after revenge, because I got
better ratings than he did and I spin off of his show!
XENA knocks him down Isn't that right, Jox? |
| JOX | He might be.
XENA raises her sword I don't know! |
| CALL-ISTO | The cripple has entered the building,
Mistress.
She grabs a lever that says "Boiling Oil Shall I? . . . |
| XENA | No, no. Let's see. He'll probably be in . . . the Yoga Room. |
| Meanwhile, HERCULES is in the Yoga Room, where he is surrounded by many blue statues in odd positions. Though he feels at peace, he quickly exits the room. | |
| XENA |
walking to the wall That's it. He's getting up here right now. |
| Xena reaches for the "Triple Contact Grappling Hook" lever and pulls it. Three grappling hooks go flying through the wall, down the stairs and attach to HERCULES' wheel chair. They pull him up the stairs, around ALTIENTA and M'LILIA, through the laboratory wall and right next to XENA who puts her foot on his chair. | |
| HERCULES | Xen-a-Furter! We meet again! |
| JOX jumps toward HERCULES. | |
| JOX |
holding out his hand Herc, old buddy. Uh, how's it goin'? |
| HERCULES | Who are you? |
| XENA | Don't play games, Hercules. You know perfectly well, who Joxer is. It was part of your attack, was it not? That he and his, annoying blonde, should check the episode for you. Well, unfortunately for you all, the attack is to be changed. I hope you're adaptable, Hercules. I know Jox is! |
| XENA giggles. | |
| HERCULES | I assure you, Joxter's . . . |
| JOX | Joxer's . . . |
| HERCULES | . . . Joxer's presence here comes as a complete surprise to me. I came here to find Ares. |
| JOX | Ares, I've seen him. He's . . . |
| XENA holds her sword against JOX's throat. | |
| XENA | Ares?! What do you know of Ares, Hercules? |
| HERCULES | I happen to know a great deal about a lot of things. You see Ares happens to be, my brother! |
| XENA releases the grappling hooks, and HERCULES' chair rolls back. They all hear a sound from within the tank. XENA walks over and pulls a sheet out of the tank revealing IOLAUS and GABBY. They stand up covering their naked bodies with the sheet. | |
| HERCULES | Gabby! |
| GABBY | Hercules! |
| JOX | Gabby! |
| GABBY | Jox! |
| XENA | Iolaus! |
| HERCULES | Sunny Day? |
| GABBY | Kevin? |
| JOX | Bruna? |
| GABBY | Jace? |
| XENA | Fool? |
| HERCULES | Deianera? |
| GABBY | Sovereign? |
| JOX | Dr. Covington? |
| GABBY | Jett? |
| XENA | Twankie? |
| They all look around, to see if anyone else is in the room. | |
| XENA |
to Iolaus Listen! I made you! And I can break you just as easily! |
| Suddenly ALTIENTA'S SPIRIT spins through the hole in the wall. Everyone looks at her in shock. | |
| ALTIENTA'S SPIRIT | Mistress, dinner is prepared. |
| XENA |
a little confused Oooooooookay. We'll be right there. |
| ALTIENTA'S SPIRIT returns to her body. | |
| XENA | Under the circumstances, formal dress is to be optional. |
| GABBY | Like I have any formal dress! |
| LAO MA looks over her book in Chin. | |
| LAO MA | Food has always played a vital role in life's great rituals. The breaking of bread, the last meal of the condemned man. And now, this meal. However informal it may seem, you could be sure there was to be little, 'bonhomie.' |
| At the dinner table, JOX is sitting next to GABBY, M'LILIA next to IOLAUS and XENA and HERCULES at the two heads. CALL-ISTO and ALTIENTA enter the dining room bringing the meal to XENA. CALL-ISTO drops down a side of meat in front of XENA. As she picks up her chakram and starts cutting, CALL-ISTO and ALTIENTA go around the table pouring wine in everyone's chalice. IOLAUS picks up his chalice to toast GABBY, but XENA throws her chakram breaking it before he can speak. After the cutting and pouring is done, XENA raises her chalice. | |
| XENA | A toast! |
| The rest raise their glasses. | |
| To old flames. | |
| ALL | To old flames. |
| MILTON BERLE (wearing drag) walks in. | |
| MILTON BERLE | Oh. Did I miss the party? |
| CALL-ISTO barks at him and he quickly leaves the room. XENA waves at CALL-ISTO and ALTIENTA and they pass around the slices of meat. Once everyone has a piece they begin eating. | |
| HERCULES | We came here to discuss Ares. |
| CALL-ISTO | Ares?! |
| XENA holds her chakram to CALL-ISTO's throat. | |
| XENA | That's a rather tough subject! Another slice anyone? |
| Everyone backs away from the table except XENA who still eats happily. | |
| CALL-ISTO |
throws XENA's arm down Get away from me! |
| CALL-ISTO walks out and when she slams the doors thunder claps. XENA looks up from her meal, puzzled. | |
| HERCULES |
to IOLAUS I knew he was in with a bad crowd but it was worse than I imagined . . . medieval lesbian warriors! |
| GABBY | Hey! |
| XENA | Go on Hercules. |
"ARES' PRINCESS" |
|
| HERCULES | From the day he was formed He was a bad-ass. He was deformed In his loyal side. He tried in vain, |
| LAO MA | But he never caused them nothing but pain! |
| HERCULES | He may be the cause if they died.
When he wanted some fun He wasn't that bright. |
| LAO MA | He would hurt and maim and fight. |
| HERCULES | He'd try to turn them to their evil side. |
| ALL | When Ares took A naive village girl She turned into a Warrior Princess, But when she threatened his life With a blood soaked knife . . . |
| XENA | He's out of my hair. |
| GABBY | I don't care. |
| HERCULES | I care less. |
| CALL-ISTO |
in her room Everybody hated him. |
| HERCULES | Even though I don't care He's still family Which made him write Me a note which reads |
| HERCULES pulls out a note. JOX, GABBY and IOLAUS gather around HERCULES. | |
| ALL except XENA |
What's it say? What's it say? |
| VOICE OF ARES | Help be out bro. You hate me, this I know But I'm a part of you And you're a part of me. |
| ALL | When Ares took A naive village girl She turned into a Warrior Princess, But when she threatened his life With a blood soaked knife . . . |
| XENA | He's out of my hair. |
| GABBY | I don't care. |
| HERCULES | I care less. |
| ALL | When Ares took A naive village girl She turned into a Warrior Princess, But when she threatened his life With a blood soaked knife . . . |
| The ones standing walk back to the table. | |
| XENA | He's out of my hair. |
| ALL | Woe woe woe. |
| GABBY | I don't care. |
| ALL | Hey hey hey. |
| HERCULES | I care less. |
| ALL | Ares. |
| XENA stands up and pulls the tablecloth off of the table revealing a cut up ARES inside of the table. GABBY screams and runs into IOLAUS' arms. | |
| XENA | Oh, Iolaus! How could you? |
| XENA grabs IOLAUS and tosses him across the room. XENA then punches GABBY in the face and chases her out of the room. Scared, JOX jumps into HERCULES' chair and HERCULES rolls out of the room making his way to the elevator. XENA chases GABBY up the stairs. | |
"WISE UP, GABRIELLE" |
|
| XENA | I'll tell you once. You better listen well. You better wise up, Gabrielle. Your new hairdo I jumped in the tub Then made a move on my man Everyone makes their way into the lab. You really want him? The Medusa will seduce ya! |
| XENA throws the "Medusa" switch and a door opens on the wall. Medusa walks out and JOX, GABBY and HERCULES look at her and turn to stone. XENA throws her chakram cutting off Medusa's head. | |
| M'LILIA | By the gods! I can't stand anymore of this! First you spurn me for Borias! And then you throw him off like an old overcoat for Lao Ma! Then Ares and now Iolaus! You build people up and the you beat them down again! I loved you. Do you hear me? I loved you! And what did it get me? Yeah I'll tell you, a coffin and a funeral fire! You're like a sponge, you take, take, take and drain others of their blood and weapons! Yeah, well I've had enough! You're gonna have to choose between me and Iolaus. So named cause of . . . |
| XENA holds up Medusa's head. M'LILIA screams and turns to stone. | |
| XENA | It's not easy having a good time. |
| XENA shows the head of Medusa to IOLAUS and he turns to stone. | |
| Even fighting makes my face ache! | |
| XENA walks to the freezer, biting her finger. | |
| And my children turn me on . . . uh . . . turn on me. Iolaus is behaving just the way that Ares did. Do you think I made a mistake? Splitting his sexuality between the two of them? | |
| ALTIENTA walks to where XENA is. | |
| ALTIENTA | Ah! I grow weary of this crossover! When shall we return back to ancient times, huh? |
| XENA | Altienta, I am indeed grateful to both you and your, um . . . um . . . |
| CALL-ISTO | Friend. |
| XENA | . . . friend Call-Isto. You have both served me well. Loyalty such as yours shall not go unrewarded. You will discover that when the mood takes me, I can be quite generous. |
| ALTIENTA | Then, can I have the soul of your unborn child? |
| CALL-ISTO | No! It's mine! |
| CALL-ISTO and ALTIENTA begin to fight. | |
| XENA | Enough! I'm not even pregnant! Anyway, it's time for the floor show. |
| CALL-ISTO and ALTIENTA stop fighting. Without XENA noticing, CALL-ISTO takes XENA's chakram from her side. XENA goes down the elevator and CALL-ISTO and ALTIENTA walk up the ramp and through the hole in the wall. | |
| LAO MA |
in Chin And so, by some extraordinary coincidence, the fates it seemed had decided that Jox and Gabby should keep their appointment with Hercules, but it was to be in a situation that perhaps not even the writers could have foreseen. And just a few hours after announcing their engagement, Jox and Gabby had both tasted the steel of Xen-a-Furter's sword (in one way or another). This in itself was proof that their hostess was a Warrior Princess of little self-control and some dark side. What further plot lines were they to be subjected to? And what of the floor show that had been spoken of? In an empty house? In the middle of the night? What diabolical plan had seized Xena's crazed imagination? What indeed. From what had gone before, it was clear that this was to be no "walk in the meadow." |
| Meanwhile, the statues of M'LILIA, JOX, IOLAUS and GABBY are lined up on the stage respectively. M'LILIA is dressed in a corset and fishnets. JOX is dressed as Jace. IOLAUS is dressed as the Widow Twankie. GABBY is dressed in the cage dancer outfit (white fringe). HERCULES is off to the side in his normal clothes. XENA comes through and fixes all of them and then goes to the switch board and flicks some switches. The floor lights go on, the curtain goes up, and XENA throws the "Anti-Medusa" switch bringing M'LILIA to life. | |
"THE FLOOR SHOW" |
|
| M'LILIA | It was great when we started out Xena taught me what friendship was about. But it was over when she figured out What Caesar's love was all about. Now the only thing that takes me back |
| XENA throws the "Anti-Medusa" switch again bringing IOLAUS to life. | |
| IOLAUS |
in Twankie voice I finally get some lines! Now the only thing that keeps me here |
| XENA throws the "Anti-Medusa" switch again bringing JOX to life. | |
| JOX |
in Jace accent No comprendo What's this? Let's see. |
| XENA throws the "Anti-Medusa" switch again bringing GABBY to life. | |
| GABBY | I feel so cold. These costumes are getting old! I look like I'm fit to be sold. As a concubine! I just want a sensible dress. |
| A second curtain raises and we see XENA standing in her red dress from Stageira at the top of a tall platform with fog all around her. | |
| XENA | What ever happened to that lass Aphrodite. She had no class. As she revealed her thigh, How I started to cry-y-y. 'Cause I knew wanted to kick, Her skinny ass! Give yourself over Erotic land battles Can't you just see it! |
| XENA jumps into a pool as the fog clears away. At the bottom it has a picture of God reaching down and touching Eli's finger. Xena sits, floating in an inflated plastic chakram. | |
| Don't will it. Kill it! Don't will it. Kill it! Don't will it. Kill it! Don't will it. Kill it! |
|
| The others turn around and join XENA in the pool singing. | |
| ALL |
except HERCULES Don't will it. Kill it! |
| The "Anti-Medusa" switch flips down by itself, and HERCULES becomes reanimated. | |
| HERCULES | Ah! We've got to get Out of this trap! Before this violence Stabs our wings. I've got to be strong |
| HERCULES lifts up his fishnet clad leg and boot with knives in it from under his blanket. | |
| JOX | No comprendo! Why I look like my big bro? |
| GABBY | I must admit I feel sexy inside! |
| XENA emerges from the pool on the shoulders of IOLAUS. | |
| XENA | My my my, my my, my my my, my my my my, my!
I'm a punching and a kicking thing! So let the fire of the fight rock on! |
| They all step out of the pool and form a kick line in front of the stage. HERCULES rolls around in the back kicking his legs. | |
| ALL | We're a punching and a kicking thing! We're a sword with a deadly swing! You do a flip and your mind goes ping! Your heart will pump and your blood will sing! So let the fire of the fight rock on! |
| CALL-ISTO throws open the doors in the back of the auditorium. She stands in her Roman robe and short hair and XENA's chakram in hand. ALTIENTA stands by her side in her Shaumaness outfit. | |
| CALL-ISTO | Xen-a-Furter, It's all over! Your petty scruples are a failure! You burned my whole family! I think it's about time |
| JOX, GABBY and HERCULES have retreated to the side of the stage. IOLAUS and M'LILIA stand next to XENA. | |
| XENA | Wait! I can explain! |
| CALL-ISTO | Noooooooooo! |
| CALL-ISTO launches the chakram toward XENA. At the last minute, M'LILIA jumps in front of XENA taking the chakram in the back. | |
| M'LILIA |
to XENA Gods! You so owe me! |
| XENA, angered because of the death of her friend, begins to attack CALL-ISTO and ALTIENTA. XENA yanks the chakram from M'LILIA's back, she throws it at the pair. They dodge it easily and it bounces back to XENA's hand. CALL-ISTO and ALTIENTA run toward the stage. GABBY draws her sais and stands by XENA. | |
| GABBY | You didn't expect to leave me out of this? |
| JOX jumps in. | |
| JOX | Or me? |
| IOLAUS jumps in. | |
| IOLAUS | Or me? |
| HERCULES wheels in. | |
| HERCULES | Or me? |
| XENA | All right! SHEEEEEEE-ALALALALALALA- CHIIIIIIIIII-YAH! |
| Background fighting music begins as GABBY and XENA take on CALL-ISTO, while JOX, IOLAUS and HERCULES fight off ALTIENTA. | |
| CALL-ISTO |
smiling Oh! I've always wanted you two together. |
| They continue fight. ALTIENTA uses her spiritual powers to bring the three men down. CALL-ISTO flips back to ALTIENTA to regroup. | |
| ALTIENTA | What are you doing?! You're a god! Use your powers! |
| CALL-ISTO | Mmmm. Good idea! |
| CALL-ISTO throws some fire balls and lightning bolts their way. GABBY dodges and rolls to stay out of the way, while XENA flips around to dodge. Once CALL-ISTO stops, XENA and GABBY stand together, tired. | |
| GABBY | I can't take much more of this, Xena! |
| XENA | Me either. But it looks like we're gonna have to. |
| ALTIENTA steps forward. She
stares into XENA's eyes and makes her experience when Caesar broke her
legs on the cross. She then stares at GABBY and makes her experience her
crucifixion.
They both fall to the ground, wailing. CALL-ISTO and ALTIENTA stand on the lip of the stage in front of XENA and GABBY. |
|
| CALL-ISTO | Well, it looks like we win, Xena! I must admit, though, this was easier than I thought it would be. |
| XENA | Really? |
| ALTIENTA | Yes! Now say goodbye, Xena and Xena's bitch! |
| XENA |
mustering up all her strength You really thought that I didn't expect you to do something like this? |
| CALL-ISTO and ALTIENTA look at each other, confused. Quickly, XENA throws her chakram, cutting a rope holding the lip of the stage up. The lip falls and CALL-ISTO and ALTIENTA fall into a pit, impaling themselves on Hind's blood soaked spears. They both slowly die. Once ALTIENTA has expired, everyone gets up, no longer effected by her powers. | |
| GABBY | Xena! |
| XENA and GABBY embrace. | |
| XENA | Gabrielle. Are you ok? |
| GABBY | Yeah, I'm fine. |
| JOX walks toward them. | |
| Jox, I . . . | |
| JOX | You don't have to explain, Gabby. When I saw you look at her, I knew that you two were soulmates. I can't get in the way of that. |
| GABBY |
walking toward JOX That's really sweet of you. |
| GABBY kisses JOX on the cheek. | |
| I do love you, ya' know, just . . . | |
| JOX | I know. Just not the way I love you. |
| GABBY | Can we still be friends? |
| JOX | Always.
Thinking Did you just kiss me? |
| GABBY | Uh-huh. |
| JOX faints as XENA walks over to IOLAUS. | |
| XENA | Well, it turns out you weren't my ideal after all. |
| GABBY walks over. | |
| GABBY | Or mine. |
| XENA scowls at both of them. | |
| IOLAUS | Yeah. Well, it was fun while it lasted. |
| IOLAUS takes both of their hands and kisses them. XENA and GABBY walk over to HERCULES. | |
| XENA | Well, Hercules, thanks for helping us out. |
| HERCULES | No thanks needed. I just wish you didn't feel the need to put me in these stockings. |
| XENA | Keep 'em. They become you. |
| JOX wakes up and stands by IOLAUS and HERCULES. XENA and GABBY stand in front of each other holding hands. They give each other a quick peck on the lips. | |
"ANYHOW, ANYHOW" |
|
| HERCULES | Some people battle for the good side. |
| XENA | Some people battle for the dark side. |
| JOX | Some people battle for the cool scars. |
| GABBY | Some people battle for the dinars. |
| IOLAUS | Some people battle for enslavement. |
| XENA and GABBY |
Some people battle on the pavement. But . . . |
| ALL |
making their way offstage and into the aisles
We're gonna battle anyhow, anyhow. We're gonna battle anyhow, anyhow. |
| HERCULES, IOLAUS and JOX |
Some people battle for each other. |
| XENA and GABBY |
Some people battle for their lover. |
| HERCULES, IOLAUS and JOX |
Some people battle for improvement. |
| XENA and GABBY |
Some people battle for the movement. |
| HERCULES, IOLAUS and JOX |
Some people battle for enjoyment. |
| XENA and GABBY |
Some people battle for employment. |
| ALL | But . . .
We're gonna battle anyhow, anyhow. We're gonna battle anyhow, anyhow. |
| We now see the a group of XENITES watching the show. | |
| XENITES | Xena, Xena, we just Want to see ya'. Out Of all the warriors you're the best. Xena, Xena, we just |
| XENA and everyone are now approaching the gate of the castle. | |
| ALL | We're gonna battle anyhow, anyhow. We're gonna battle anyhow, anyhow. We're gonna battle, No matter how the chakram's throwing. |
| Athena drives up in a yellow cabbie, and they all get in. | |
| We're gonna battle anyhow, anyhow. We're gonna battle anyhow, anyhow. We're gonna battle. We just gotta keep going. We just gotta keep going. We just gotta keep going. |
|
| LAO MA | To conquer others is to have power. To conquer yourself is to know the way. |
| LAO MA shuts "The Poteidaia Affair." | |
| ALL | We just gotta keep going. |
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